“Let the Great World Spin,” a Novel of Masterfully Crafted Intricacies
Whether we choose to believe it or not, humans are inextricably linked in some form or another. Through common background, similar beliefs, knowing the same people, or simply grasping the basic understandings of human nature we all have something in common. Everything we do affects the world in some form or another. This premise is the foundation upon which Colum McCann’s newest novel, “Let the Great World Spin,” was created. Passion and eloquence are the words that can best describe the words of the novel itself; but the work is so much more. This novel takes a deeper look at the human condition; whether it is from the perspective of a hooker in the Bronx or a judge living on the Upper East Side. “Let the Great World Spin,” will capture your heart and hold it with intensity and profundity.
Set as the backdrop of the novel is the day on which Philippe Petit, a French high-wire artist, captured the attention of New York City, and crossed a cable set up between The World Trade Center twin towers. Though McCann never deliberately states his name, August 7, 1974 marked a day where a city in turmoil was brought together by a single oddity in the sky.
McCann follows several individuals all living in New York in the 1970’s. Each one, we come to learn, is dealing with love and loss in some form or another; these become the driving themes of the novel. McCann alternates between narrative styles throughout the text giving us personal accounts in first person and showing us character’s perspectives through authorial interpretation. The stylistic choice to switch between narrative styles only enhances the effect of the novel. The reader gets a unique tone and style from each character that is developed to put the reader on a more intimate level with both the characters and the essence of the novel. One example of this can be seen through the eyes of Tillie Henderson,, a woman whose story is revealed through her own eyes.
Tillie Henderson is possibly one of the most compelling characters in the novel. McCann portrays Tillie through a first person account of her downfall after she and her daughter are arrested. “I’m a fuck-up. That’s what I am. I took the rap and Jazzlyn paid the price. I am the mother and my daughter is no more. I only hope at the last minute that at least she was smiling. I’m a fuck-up like none you ever seen before.” She is dealing with the themes of loss, through losing her own daughter and not being able to see her grandchildren, and through the great love she has for those very same people. Just as we are all inextricably linked, so are the ideas of loss and love in each character we meet; one does not happen without the other.
Going off the idea that everything is intertwined it is safe to say that this book would probably had not been made possible if it were not for the tragic terrorist attacks on the very buildings McCann has his tightrope walker cross. For this reason, the book makes even a more remarkable impact as a 9/11 tribute from a historical perspective. Many would not initially see this novel as a 9/11 tribute but looking closer you can see it gives historical insight to not only the towers but the city as well. It speaks to the controversy, turmoil, and the magnanimous impact that the buildings of the World Trade Center had on New York City. It also gives light into one of the towers most memorable moments; allowing us to remember a time when its livelihood was no threatened.
“Let the Great World Spin,” is a novel that will speak to generations to come. It is a small look into one day of the greatest symbols of American spirit. One cannot read this novel without realizing the profound intricacies it portrays. Historical context, empowering characters, and vivid and passionate language intertwine to create a masterful work of literature that will become a part of literary history.
Random House
350 pages
Target Publication: The Boston Globe
May 6, 2010
May 3, 2010
Film Review
“Date Night,” a Comedic Look at Marriage in the 21st Century
Is your daily routine repetitive and boring? Do you feel as though you and your spouse are stuck in a rut? Then you will certainly be able to relate with the couple in “Date Night”. This film looks at the life of an average American married couple from New Jersey who needs to spice up their love life. What ensues is a complicated and sometimes entertaining plot line that, if nothing else, will make you and your spouse look at your relationship from a whole other angle.
Directed by Shawn Levy, who also directed comedies like, “Just Married,” and “Cheaper by the Dozen,” “Date Night,” is his newest film that takes a deeper look at marriage in modern times. Claire and Phil Foster (Tina Fey and Steve Carell) each become subconsciously concerned with their own marriage when they find out their best friends are getting a divorce. So, when their weekly date night comes around they resolve to make it out of the ordinary. They drive into N.Y.C. and take another couple’s reservation at a swanky new restaurant.
Unfortunately for the Foster’s they stole the wrong reservation. The Tripplehorns, the couple whose reservation the Foster's stole, turn out to be a couple who supposedly stole a flash drive from the mobster Joe Miletto (Ray Liotta). What ensues is a cat and mouse hunt by Miletto’s right hand guys as the Foster’s try to evade the mobsters while simultaneously finding the Tripplehorns (Mila Kunis and James Franco) so they can retrieve the flash drive and resolve the issue.
While the plot line seems entertaining enough, the driving factor that takes away from the film is the seemingly trying-too-hard script. Carell and Fey are comedic genious’s that the overscripting actually seems to lessen their credibility. They fit their roles with ease and naturalness but the audience can tell when the script tries too hard.
An example: Claire and Phil are sitting on the subway and Claire begins saying, “Honey, if I’m going to get wacked off…” and Phil jumps in and says, “we might get bumped off, but we’re not going to get wacked off.” It is clear to the audience that the scene is created in an attempt to make a good joke, but the joke is not funny, nor plausible. Fey and Carell are entertaining enough that when bad jokes are put in it truly takes away from the content and reduces the integrity of the otherwise seasoned and on point actors.
Aside from the script that falls flat the rest of the film on a whole makes an important comment on marriage today. With more marriages failing than succeeding in our society, this film, through the use of comedy, looks at why so many of those marriages fail. Both parents work, neither has time for each other never mind themselves, there is constant chaos, and no time to appreciate one another. It is no wonder why marriages fail. And that’s exactly why this film can be seen as an important part of today’s film industry. If nothing else it may make couples realize that other couples are dealing with the same issues as them and that there are things that can be done to save a marriage.
Carell and Fey were cast flawlessly into the role of Phil and Claire Foster to make us take a closer look at our own relationships. The film certainly has its classic moments but the driving accomplishment behind the film is the statement it makes about the difficulties of marriage in the 21st century.
Rated: PG-13
Some explicit language and drug references
Twentieth Century Fox Films
Target Publication: Entertainment Weekly
Is your daily routine repetitive and boring? Do you feel as though you and your spouse are stuck in a rut? Then you will certainly be able to relate with the couple in “Date Night”. This film looks at the life of an average American married couple from New Jersey who needs to spice up their love life. What ensues is a complicated and sometimes entertaining plot line that, if nothing else, will make you and your spouse look at your relationship from a whole other angle.
Directed by Shawn Levy, who also directed comedies like, “Just Married,” and “Cheaper by the Dozen,” “Date Night,” is his newest film that takes a deeper look at marriage in modern times. Claire and Phil Foster (Tina Fey and Steve Carell) each become subconsciously concerned with their own marriage when they find out their best friends are getting a divorce. So, when their weekly date night comes around they resolve to make it out of the ordinary. They drive into N.Y.C. and take another couple’s reservation at a swanky new restaurant.
Unfortunately for the Foster’s they stole the wrong reservation. The Tripplehorns, the couple whose reservation the Foster's stole, turn out to be a couple who supposedly stole a flash drive from the mobster Joe Miletto (Ray Liotta). What ensues is a cat and mouse hunt by Miletto’s right hand guys as the Foster’s try to evade the mobsters while simultaneously finding the Tripplehorns (Mila Kunis and James Franco) so they can retrieve the flash drive and resolve the issue.
While the plot line seems entertaining enough, the driving factor that takes away from the film is the seemingly trying-too-hard script. Carell and Fey are comedic genious’s that the overscripting actually seems to lessen their credibility. They fit their roles with ease and naturalness but the audience can tell when the script tries too hard.
An example: Claire and Phil are sitting on the subway and Claire begins saying, “Honey, if I’m going to get wacked off…” and Phil jumps in and says, “we might get bumped off, but we’re not going to get wacked off.” It is clear to the audience that the scene is created in an attempt to make a good joke, but the joke is not funny, nor plausible. Fey and Carell are entertaining enough that when bad jokes are put in it truly takes away from the content and reduces the integrity of the otherwise seasoned and on point actors.
Aside from the script that falls flat the rest of the film on a whole makes an important comment on marriage today. With more marriages failing than succeeding in our society, this film, through the use of comedy, looks at why so many of those marriages fail. Both parents work, neither has time for each other never mind themselves, there is constant chaos, and no time to appreciate one another. It is no wonder why marriages fail. And that’s exactly why this film can be seen as an important part of today’s film industry. If nothing else it may make couples realize that other couples are dealing with the same issues as them and that there are things that can be done to save a marriage.
Carell and Fey were cast flawlessly into the role of Phil and Claire Foster to make us take a closer look at our own relationships. The film certainly has its classic moments but the driving accomplishment behind the film is the statement it makes about the difficulties of marriage in the 21st century.
Rated: PG-13
Some explicit language and drug references
Twentieth Century Fox Films
Target Publication: Entertainment Weekly
Apr 22, 2010
Food Review: No Problemo New Bedford, MA
No Problemo es Muy Bueno
Looking for a place to get some quality food on a college budget? Well, look no further than the heart of New Bedford. It is here you will find No Problemo, an Americanized Mexican restaurant owned by a group of twenty something skaters. No Problemo provides a refreshing, laid back atmosphere, quality service, and exceptional meals; all aspects of this restaurant are sure to make you a repeat customer only after one visit.
No Problemo is separated into two rooms; one is for takeout and the other dine in. The take out is a great addition to the restaurant if you are only looking to grab a quick bite. For those looking for a sit down meal, as you enter the dining room you will be immediately aware of the relaxed vibe and youthful staff. This spot is seemingly geared towards a younger crowd, but, during the course of our meal many different types of groups all entered the restaurant. Included in this group was a family of four with two young children, only solidifying that this establishment was family friendly in addition to modern and youthful.
The menu itself appears to be somewhat limited. Tacos, burritos, and quesadillas are the main items offered with a few other options such as taquitos, tortas, and salads; the good thing is there is something for everyone. The plain Jane will enjoy it and so will the person who seeks a little more spice.
Making a decision from the menu was difficult because everything looked appealing. In a last minute decision I decided to go with the spicy BBQ quesadilla. Chicken, chipotle BBQ sauce, red onions, and cheese in a flour tortilla served with sour cream, salsa, and jalapenos on the side (and guacamole if you so desire for only $.75 more). The first thing I noticed when the food came out was the enormous portion size and the aroma of sweet caramelized onions with a hint of tangy BBQ sauce.
My first bite was even more pleasing than the aroma. The chicken was shredded allowing it to fit well in the quesadilla; it didn’t overpower the rest of the ingredients or cause the quesadilla to fall apart and it mixed flawlessly with the sweet BBQ sauce, cheese, and onions. The tortilla was fresh, soft and fluffy, which only enhanced the fluid consistency and soft, yet substantial texture of the rest of the ingredients. Combined with fresh salsa, smooth sour cream, and seemingly buttery guacamole this meal was enough to fill me up, give me some leftovers for later, and the best part: at only $6.25 my wallet wasn’t empty after.
The group of people I went with all agreed their meals were large portions, quality food, and affordable prices. My roommate got a tostada salad with the cilantro lime dressing and said it was incomparable. She described the dressing as light, sweet, and a little tangy; a little taste of summer on this cold spring evening. For any lady (or man!) watching their figure this salad is a great option to replace the higher calorie meals.
In addition to great food the service was exceptional. Our waiter was appropriately friendly and quite attentive; he answered all of our questions and retrieved our drinks and food promptly. He mentioned the selection of beers (ranging from PBR to Coronas) and even recommended the red sangria, which was made faultlessly and wasn’t too overpowered with wine like it so often is.
After reflecting on the dining experience at No Problemo it seems the only thing missing from this restaurant is margaritas! Seriously, they can make do without offering margaritas because they have established a well-run, high quality company with exceptional service and affordable and divine cuisine. College students and families alike will find that No Problemo is a place they certainly won’t want to wait too long before they return.
813 Purchase Street
New Bedford, MA 02740
Target Publication: Torch (Umass Dartmouth Newspaper)
Looking for a place to get some quality food on a college budget? Well, look no further than the heart of New Bedford. It is here you will find No Problemo, an Americanized Mexican restaurant owned by a group of twenty something skaters. No Problemo provides a refreshing, laid back atmosphere, quality service, and exceptional meals; all aspects of this restaurant are sure to make you a repeat customer only after one visit.
No Problemo is separated into two rooms; one is for takeout and the other dine in. The take out is a great addition to the restaurant if you are only looking to grab a quick bite. For those looking for a sit down meal, as you enter the dining room you will be immediately aware of the relaxed vibe and youthful staff. This spot is seemingly geared towards a younger crowd, but, during the course of our meal many different types of groups all entered the restaurant. Included in this group was a family of four with two young children, only solidifying that this establishment was family friendly in addition to modern and youthful.
The menu itself appears to be somewhat limited. Tacos, burritos, and quesadillas are the main items offered with a few other options such as taquitos, tortas, and salads; the good thing is there is something for everyone. The plain Jane will enjoy it and so will the person who seeks a little more spice.
Making a decision from the menu was difficult because everything looked appealing. In a last minute decision I decided to go with the spicy BBQ quesadilla. Chicken, chipotle BBQ sauce, red onions, and cheese in a flour tortilla served with sour cream, salsa, and jalapenos on the side (and guacamole if you so desire for only $.75 more). The first thing I noticed when the food came out was the enormous portion size and the aroma of sweet caramelized onions with a hint of tangy BBQ sauce.
My first bite was even more pleasing than the aroma. The chicken was shredded allowing it to fit well in the quesadilla; it didn’t overpower the rest of the ingredients or cause the quesadilla to fall apart and it mixed flawlessly with the sweet BBQ sauce, cheese, and onions. The tortilla was fresh, soft and fluffy, which only enhanced the fluid consistency and soft, yet substantial texture of the rest of the ingredients. Combined with fresh salsa, smooth sour cream, and seemingly buttery guacamole this meal was enough to fill me up, give me some leftovers for later, and the best part: at only $6.25 my wallet wasn’t empty after.
The group of people I went with all agreed their meals were large portions, quality food, and affordable prices. My roommate got a tostada salad with the cilantro lime dressing and said it was incomparable. She described the dressing as light, sweet, and a little tangy; a little taste of summer on this cold spring evening. For any lady (or man!) watching their figure this salad is a great option to replace the higher calorie meals.
In addition to great food the service was exceptional. Our waiter was appropriately friendly and quite attentive; he answered all of our questions and retrieved our drinks and food promptly. He mentioned the selection of beers (ranging from PBR to Coronas) and even recommended the red sangria, which was made faultlessly and wasn’t too overpowered with wine like it so often is.
After reflecting on the dining experience at No Problemo it seems the only thing missing from this restaurant is margaritas! Seriously, they can make do without offering margaritas because they have established a well-run, high quality company with exceptional service and affordable and divine cuisine. College students and families alike will find that No Problemo is a place they certainly won’t want to wait too long before they return.
813 Purchase Street
New Bedford, MA 02740
Target Publication: Torch (Umass Dartmouth Newspaper)
Apr 15, 2010
Theatre Review
The Odd Couple: A Timeless and Enduring Duo
Neil Simon’s The Odd Couple prevails today as a true American classic. The most recent rendition of The Odd Couple maintains that stature as it is recreated masterfully under the direction of Curt Columbus and Michael Gennaro. Currently playing at the Trinity Repertory Company in Providence, Rhode Island this play is a leading example that simplistic aesthetic and quality acting can still combine to create a timeless work that resonates with modern times.
The Trinity Rep is a great location for the newest adaptation of The Odd Couple. The venue itself holds only a few hundred people creating an intimate experience. Walking in you are greeted by a smiling staff and welcomed by a well lit, charming lobby. As you make your way to your seats you are only further entranced by the quaintness of the venue. What makes this enjoyable is that the mood is relaxed and informal, the perfect combination for someone who is only focused on a night of quality entertainment.
We all know the story; two men from complete opposite ends of the spectrum, a neat freak and a slob, both of whom have separated from their wives become roommates. Through dialogue, costume, mannerisms, subtle gestures and expressions the audience is able to see the contrasting difference between the two main characters. Their natural ability to fit their roles only enhances the sharpness and quality of the play itself. The cast fits their characters flawlessly and their chemistry is undeniable. Fred Sullivan, Jr. plays Oscar Madison opposite Brian McEleney as Felix Ungar.
Oscar (Sullivan) enters the stage (set up as his messy New York City apartment) in wrinkled khakis, an unbuttoned shirt, a Yankees cap, a tray full of beers and food for his poker buddies (minus Felix who hasn’t shown up and has never missed a game). It’s only a few minutes before the supposedly missing Felix (McEleney) knocks on Oscar’s door in a frenzy wearing his business suit and an anxious look. Together the two play off each other to create sharp, amusing, and seemingly natural dialogue that makes you feel as if you are sitting in their living room with them.
A hilarious situation ensues in which the guys try to prevent Felix from jumping out a window or doing anything to harm himself because they feel he might try to kill himself as a result of his wife leaving him. Oscar asks Felix, “Where are you going?” and Felix replies in a high pitched tone, “The bathroom.” “Alone?” Oscar inquisitively and wearily replies. Their quick one line jokes and convoluted facial expressions are deliberately used to capture emotion and invoke the authenticity of the scenario.
While comedy appropriately remains the overlapping theme of the play there is difficult life matters that are dealt with as well. What’s maybe the most interesting aspect of the play is its ability to reach the audience on a much deeper level. Simon wrote the play in the early sixties when divorce was becoming an ever increasing reality for many families all over America.
Simon captures that real life issue in a way that people can relate to and be entertained by. Through the struggle we see directly in Felix and indirectly in Oscar we are able to see the stereotype of the impenetrable male façade wiped out and a relatable internal and simultaneously external struggle develop. Self identity and divorce are concerns many of us face. Simon is able to capture those concerns and emotions through the characters and situations he created.
A timeless play, notable venue, outstanding cast, intriguing and relatable subject matter all come together to produce an outstanding rendition of The Odd Couple. And as Oscar inquires, “Is everybody happy?!” there is confidence in saying that the audience’s reply would surely be, “Yes!”
Target Publication: Providence Journal
Neil Simon’s The Odd Couple prevails today as a true American classic. The most recent rendition of The Odd Couple maintains that stature as it is recreated masterfully under the direction of Curt Columbus and Michael Gennaro. Currently playing at the Trinity Repertory Company in Providence, Rhode Island this play is a leading example that simplistic aesthetic and quality acting can still combine to create a timeless work that resonates with modern times.
The Trinity Rep is a great location for the newest adaptation of The Odd Couple. The venue itself holds only a few hundred people creating an intimate experience. Walking in you are greeted by a smiling staff and welcomed by a well lit, charming lobby. As you make your way to your seats you are only further entranced by the quaintness of the venue. What makes this enjoyable is that the mood is relaxed and informal, the perfect combination for someone who is only focused on a night of quality entertainment.
We all know the story; two men from complete opposite ends of the spectrum, a neat freak and a slob, both of whom have separated from their wives become roommates. Through dialogue, costume, mannerisms, subtle gestures and expressions the audience is able to see the contrasting difference between the two main characters. Their natural ability to fit their roles only enhances the sharpness and quality of the play itself. The cast fits their characters flawlessly and their chemistry is undeniable. Fred Sullivan, Jr. plays Oscar Madison opposite Brian McEleney as Felix Ungar.
Oscar (Sullivan) enters the stage (set up as his messy New York City apartment) in wrinkled khakis, an unbuttoned shirt, a Yankees cap, a tray full of beers and food for his poker buddies (minus Felix who hasn’t shown up and has never missed a game). It’s only a few minutes before the supposedly missing Felix (McEleney) knocks on Oscar’s door in a frenzy wearing his business suit and an anxious look. Together the two play off each other to create sharp, amusing, and seemingly natural dialogue that makes you feel as if you are sitting in their living room with them.
A hilarious situation ensues in which the guys try to prevent Felix from jumping out a window or doing anything to harm himself because they feel he might try to kill himself as a result of his wife leaving him. Oscar asks Felix, “Where are you going?” and Felix replies in a high pitched tone, “The bathroom.” “Alone?” Oscar inquisitively and wearily replies. Their quick one line jokes and convoluted facial expressions are deliberately used to capture emotion and invoke the authenticity of the scenario.
While comedy appropriately remains the overlapping theme of the play there is difficult life matters that are dealt with as well. What’s maybe the most interesting aspect of the play is its ability to reach the audience on a much deeper level. Simon wrote the play in the early sixties when divorce was becoming an ever increasing reality for many families all over America.
Simon captures that real life issue in a way that people can relate to and be entertained by. Through the struggle we see directly in Felix and indirectly in Oscar we are able to see the stereotype of the impenetrable male façade wiped out and a relatable internal and simultaneously external struggle develop. Self identity and divorce are concerns many of us face. Simon is able to capture those concerns and emotions through the characters and situations he created.
A timeless play, notable venue, outstanding cast, intriguing and relatable subject matter all come together to produce an outstanding rendition of The Odd Couple. And as Oscar inquires, “Is everybody happy?!” there is confidence in saying that the audience’s reply would surely be, “Yes!”
Target Publication: Providence Journal
Apr 1, 2010
CD Review
Jimi Hendrix’s Valley of Neptune: A Reinvented Collection from an Old Legend
Jimi Hendrix has been dead for almost forty years; how is he releasing a new cd in 2010? Well, unfortunately for true music enthusiasts, Jimi has been deceased for nearly forty years, but thanks to technology and his undeniable influence over rock music, the demand for his sound has not subsided. Debuting on March 9, 2010, Valleys of Neptune is a compilation of previously unreleased songs from the Jimi Hendrix Experience. Included in the album are original studio recordings of previously unreleased versions of some of the trios most sought after songs. With sounds and lyrics that could only come from one of the most influential artists of the twentieth century, Valleys of Neptune becomes enchanting entertainment that reminds us what is missing from many of today’s music: originality and talent.
The first song of the album, Stone Free, opens with a chord of the electric guitar, combining sounds of rock and blues, played as eloquently as only Jimi could, with smooth transitions and entrancing chords. If this isn’t enough to pull you in, the lyrics themselves are a strong metaphor to move you and remind you of what Jimi stood for: independence and the ability of one to be unaffected by others influences. “And this is why, listen to me baby, you can’t hold me down, I don’t wanna be tied down, I gotta be free, owh!” The lyrics our simple enough but the message is commanding. The stone is the weight that holds Jimi down and because he is free of the stone he can’t be held down and he refuses to be held down. Even in the first song we are reminded of the artist’s belief in his own words. This work will inspire listeners, teaching us to be true to ourselves. Jimi is able to combine empowering lyrics with unique and stimulating sounds that please our ears and give us all we expect out of him, if not more.
The rest of the album is resonant with the first song: combining chill worthy instrumentals with meaningful lyrics. Even though many of the songs have been released previously in some version or another, we are still empowered by the sound. Written in the late sixties the music reminds us of the basics and intricate simplicity that are so missed in artist’s work today.
And even without lyrics the music is still enchanting. Track six on the album, Sunshine of your Love, is a remake of the original by the rock band Cream. Hendrix’s version of Sunshine of your Love on this album is entirely instrumental. While it is a remake we still hear a definitive difference between the styles of the two songs. Jimi reinvented music as no other artist could. The rise and fall of the electric guitar is ingeniously intertwined with the bass, drums, and percussion in such a way as to make the listener feel like they are back in 1969 hearing it all over for the first time.
Stone Free and Sunshine of your Love are just two examples on this album of Jimi’s uncanny ability to mesmerize listeners. The album in its entirety is masterfully compiled and truly enjoyable. Though many of the songs have been listened to for decades, the album is still filled with innovation and passion. Valleys of Neptune is a necessary component of the Jimi Hendrix Experience. Releasing an album forty years after an artist’s death and achieving a renewed sense of awe proves why Jimi Hendrix remains a legend in rock music. Valleys of Neptune is a must have album for anyone who appreciates the importance of the inspirers of rock in its truest form and yearns for the classic sound of a twentieth century marvel.
Target Publication: Spin Magazine
Jimi Hendrix has been dead for almost forty years; how is he releasing a new cd in 2010? Well, unfortunately for true music enthusiasts, Jimi has been deceased for nearly forty years, but thanks to technology and his undeniable influence over rock music, the demand for his sound has not subsided. Debuting on March 9, 2010, Valleys of Neptune is a compilation of previously unreleased songs from the Jimi Hendrix Experience. Included in the album are original studio recordings of previously unreleased versions of some of the trios most sought after songs. With sounds and lyrics that could only come from one of the most influential artists of the twentieth century, Valleys of Neptune becomes enchanting entertainment that reminds us what is missing from many of today’s music: originality and talent.
The first song of the album, Stone Free, opens with a chord of the electric guitar, combining sounds of rock and blues, played as eloquently as only Jimi could, with smooth transitions and entrancing chords. If this isn’t enough to pull you in, the lyrics themselves are a strong metaphor to move you and remind you of what Jimi stood for: independence and the ability of one to be unaffected by others influences. “And this is why, listen to me baby, you can’t hold me down, I don’t wanna be tied down, I gotta be free, owh!” The lyrics our simple enough but the message is commanding. The stone is the weight that holds Jimi down and because he is free of the stone he can’t be held down and he refuses to be held down. Even in the first song we are reminded of the artist’s belief in his own words. This work will inspire listeners, teaching us to be true to ourselves. Jimi is able to combine empowering lyrics with unique and stimulating sounds that please our ears and give us all we expect out of him, if not more.
The rest of the album is resonant with the first song: combining chill worthy instrumentals with meaningful lyrics. Even though many of the songs have been released previously in some version or another, we are still empowered by the sound. Written in the late sixties the music reminds us of the basics and intricate simplicity that are so missed in artist’s work today.
And even without lyrics the music is still enchanting. Track six on the album, Sunshine of your Love, is a remake of the original by the rock band Cream. Hendrix’s version of Sunshine of your Love on this album is entirely instrumental. While it is a remake we still hear a definitive difference between the styles of the two songs. Jimi reinvented music as no other artist could. The rise and fall of the electric guitar is ingeniously intertwined with the bass, drums, and percussion in such a way as to make the listener feel like they are back in 1969 hearing it all over for the first time.
Stone Free and Sunshine of your Love are just two examples on this album of Jimi’s uncanny ability to mesmerize listeners. The album in its entirety is masterfully compiled and truly enjoyable. Though many of the songs have been listened to for decades, the album is still filled with innovation and passion. Valleys of Neptune is a necessary component of the Jimi Hendrix Experience. Releasing an album forty years after an artist’s death and achieving a renewed sense of awe proves why Jimi Hendrix remains a legend in rock music. Valleys of Neptune is a must have album for anyone who appreciates the importance of the inspirers of rock in its truest form and yearns for the classic sound of a twentieth century marvel.
Target Publication: Spin Magazine
Mar 21, 2010
Television Review
“The League” doesn’t make it to the End Zone
Are you already planning your top picks for the fall fantasy football league season? If so, then you are just as intense as the guys on FX’s new comedy, “The League.”
Created, written, directed, and produced by Jeffrey Scahffer, most well known for contributing to the success of several shows from “Seinfeld” and “Curb Your Enthusiasm,” “The League,” is a comedy about 5 best friends who are all infatuated with their online fantasy football league. While the premise of the show is sure to entice any man who enjoys a little healthy competition, the jokes go too far and the characters are not believable, never mind lacking comedic presence. Men will quickly find something better to watch and women won’t even consider, “The League,” on their options of television that evening.
“Have you seen my lucky draft shirt?” Well his wife surely hasn’t. That’s because she gave it to the dry cleaning lady in hopes that her husband, Pete (Mark Duplass), the organizer and reigning champ of the league, would forget about it. Well, he doesn’t. In fact, when the dry cleaning lady comes to the house wearing the, “I shaved my balls for this?” t-shirt, Pete pays her two hundred dollars for it back. Nothing about this scene is plausible. No one in their right mind would pay two hundred dollars for a filthy, outlandish t-shirt. The slogan on the shirt isn’t even comical, nor does it make sense in that the t-shirt relates to football in any way. And that’s just one instance where the writers try too hard to be funny.
Another member of the league, Taco (Jon Lajoie), a stoner adult with the maturity level of a seven year old, sings a dirty song at a kid’s birthday party. The song goes on way longer than any mother would allow and the joke is ruined. The song is not laughable and sure to offend some; rather than understanding the humor of the song we are left feeling how unrealistic and overdone the scene is.
Clearly, the show isn’t meant to be realistic, but the blatant over-the-top scenarios and actions of the characters take away from the shows ability to intertwine comedy with the intensity of the fantasy league. In one instance Kevin (Stephen Rannazzisi) a district attorney and Ruxin (Nick Kroll) a defense attorney make a deal about a suspect’s sentence based on draft picks. The suspect, facing ten years in prison, asks what has happened and finds out, “You’re going away for five years and I just lost Adrian Peterson.” Forget being believable, this scenario is just plain stupid.
The worst part about this is that they try to portray these men as if they were real. They attempt to stereotype men in such a way as to make the character’s seem believable; as if the characters would be your next door neighbors. The producers in no way achieved this goal. Rather, the character’s come off as trying to hard so they end up being less relatable to the audience only distancing themselves from the lifelike scenario that was supposed to be created with over-the-top jokes and one liner’s.
Middle-aged men aren’t that entertaining to begin with. Throw in their unhealthy obsession with a fantasy league, mix it up with bad jokes and unrealistic scenarios and you have a half assed comedy that will most likely be cancelled after the first season. The show doesn’t even pretend to appeal to women; it is a man’s show surrounding a man’s subject. But its attempt to capture men’s attention falls flat. Most of the jokes go to far and some don’t even make much sense. I think this season, most of the guys would rather focus on their own fantasy league rather than watch other guys attempt to make light of their own.
Are you already planning your top picks for the fall fantasy football league season? If so, then you are just as intense as the guys on FX’s new comedy, “The League.”
Created, written, directed, and produced by Jeffrey Scahffer, most well known for contributing to the success of several shows from “Seinfeld” and “Curb Your Enthusiasm,” “The League,” is a comedy about 5 best friends who are all infatuated with their online fantasy football league. While the premise of the show is sure to entice any man who enjoys a little healthy competition, the jokes go too far and the characters are not believable, never mind lacking comedic presence. Men will quickly find something better to watch and women won’t even consider, “The League,” on their options of television that evening.
“Have you seen my lucky draft shirt?” Well his wife surely hasn’t. That’s because she gave it to the dry cleaning lady in hopes that her husband, Pete (Mark Duplass), the organizer and reigning champ of the league, would forget about it. Well, he doesn’t. In fact, when the dry cleaning lady comes to the house wearing the, “I shaved my balls for this?” t-shirt, Pete pays her two hundred dollars for it back. Nothing about this scene is plausible. No one in their right mind would pay two hundred dollars for a filthy, outlandish t-shirt. The slogan on the shirt isn’t even comical, nor does it make sense in that the t-shirt relates to football in any way. And that’s just one instance where the writers try too hard to be funny.
Another member of the league, Taco (Jon Lajoie), a stoner adult with the maturity level of a seven year old, sings a dirty song at a kid’s birthday party. The song goes on way longer than any mother would allow and the joke is ruined. The song is not laughable and sure to offend some; rather than understanding the humor of the song we are left feeling how unrealistic and overdone the scene is.
Clearly, the show isn’t meant to be realistic, but the blatant over-the-top scenarios and actions of the characters take away from the shows ability to intertwine comedy with the intensity of the fantasy league. In one instance Kevin (Stephen Rannazzisi) a district attorney and Ruxin (Nick Kroll) a defense attorney make a deal about a suspect’s sentence based on draft picks. The suspect, facing ten years in prison, asks what has happened and finds out, “You’re going away for five years and I just lost Adrian Peterson.” Forget being believable, this scenario is just plain stupid.
The worst part about this is that they try to portray these men as if they were real. They attempt to stereotype men in such a way as to make the character’s seem believable; as if the characters would be your next door neighbors. The producers in no way achieved this goal. Rather, the character’s come off as trying to hard so they end up being less relatable to the audience only distancing themselves from the lifelike scenario that was supposed to be created with over-the-top jokes and one liner’s.
Middle-aged men aren’t that entertaining to begin with. Throw in their unhealthy obsession with a fantasy league, mix it up with bad jokes and unrealistic scenarios and you have a half assed comedy that will most likely be cancelled after the first season. The show doesn’t even pretend to appeal to women; it is a man’s show surrounding a man’s subject. But its attempt to capture men’s attention falls flat. Most of the jokes go to far and some don’t even make much sense. I think this season, most of the guys would rather focus on their own fantasy league rather than watch other guys attempt to make light of their own.
Feb 25, 2010
Movie Critique: "It's Complicated"
The Comedy and Reality of “It’s Complicated”
Hot flashes, mood swings, and irritability are not the problems middle-aged Jane Adler (Meryl Streep) is dealing with in, “It’s Complicated,” and thank god for that. This film instead delves into the complex relationship between divorced couples who may or may not still have a thing for each other. What ensues is a hilarious and simultaneously relatable film that most modern day Americans will identify with and take pleasure from.
Directed by Nancy Myers, also responsible for “What Women Want” and "Something’s Gotta Give,” “It’s Complicated,” is her newest romantic comedy that gives insight into the lives of individuals who are no longer in their twenties. Jane and Jake Adler (Alec Baldwin) are a divorced couple who after a coincidental meeting, dinner, flirtatious dancing, and one too many cocktails end up in Jake’s suite where they do the unthinkable.
The affair continues when they get back to their homes in California. It is tested when Jake unavoidably ditches Jane and their plan for a romantic evening. A jealous Jane gets revenge by bringing her architect turned love interest Adam Schaffer (Steve Martin) to their son’s graduation party. Streep finds herself caught between the resurfacing of feelings for the old man in her life, and the sweet, charming new man that is clearly very fond of her.
What makes this film worthwhile is the fact that the situations are not outlandish whatsoever, in fact, they are quite plausible. An affair with your ex is a modern day possibility that is demonstrated through the characters of Jane and Jake. After Jane and Jake reconnect in New York City we see a flustered and mortified Jane. This situation would be awkward for any middle-aged divorcee that has just let her ex-husband see her in a way that he hasn’t seen her for years.
Rather than making the scene an extremely awkward one, Meyers puts a humorous twist on it as Jake tells Jane, “and I like that you stopped getting bikini waxes. You've gone native. I was into it!” Jane’s only response is to get physically ill. It is not funny just because of the dialogue or the outlandish situation; the actors fit the roles they were casted in to a tee.
And Meyers couldn’t have chosen a better actor than Streep to play the role of Jane. After the affair has begun, Jane gets together with her girlfriends to tell them that, “turns out I’m a bit of a slut!” Her girlfriends are confused only until Streep reveals that she has now become the other woman: “I’m having an affair with Agnes Adler’s husband!” The role of Streep is central to the film’s success. She has an uncanny ability to enchant an audience and make them feel like they are going through the same things she is.
For any individual who has gone through a divorce it is natural to think about what it would be like to give it another chance with their ex. Even if you don’t have firsthand experience of divorce, one still can relate to the idea of giving it a second chance with your old flame. This film does just that: it shows you what would happen if one did decide to re-open that chapter in their life. Myers, using comedy as a spring board for this often times serious and stressful topic, artfully created a sophisticated and amusing film that pulls you in from the beginning and keeps you guessing until the end.
Hot flashes, mood swings, and irritability are not the problems middle-aged Jane Adler (Meryl Streep) is dealing with in, “It’s Complicated,” and thank god for that. This film instead delves into the complex relationship between divorced couples who may or may not still have a thing for each other. What ensues is a hilarious and simultaneously relatable film that most modern day Americans will identify with and take pleasure from.
Directed by Nancy Myers, also responsible for “What Women Want” and "Something’s Gotta Give,” “It’s Complicated,” is her newest romantic comedy that gives insight into the lives of individuals who are no longer in their twenties. Jane and Jake Adler (Alec Baldwin) are a divorced couple who after a coincidental meeting, dinner, flirtatious dancing, and one too many cocktails end up in Jake’s suite where they do the unthinkable.
The affair continues when they get back to their homes in California. It is tested when Jake unavoidably ditches Jane and their plan for a romantic evening. A jealous Jane gets revenge by bringing her architect turned love interest Adam Schaffer (Steve Martin) to their son’s graduation party. Streep finds herself caught between the resurfacing of feelings for the old man in her life, and the sweet, charming new man that is clearly very fond of her.
What makes this film worthwhile is the fact that the situations are not outlandish whatsoever, in fact, they are quite plausible. An affair with your ex is a modern day possibility that is demonstrated through the characters of Jane and Jake. After Jane and Jake reconnect in New York City we see a flustered and mortified Jane. This situation would be awkward for any middle-aged divorcee that has just let her ex-husband see her in a way that he hasn’t seen her for years.
Rather than making the scene an extremely awkward one, Meyers puts a humorous twist on it as Jake tells Jane, “and I like that you stopped getting bikini waxes. You've gone native. I was into it!” Jane’s only response is to get physically ill. It is not funny just because of the dialogue or the outlandish situation; the actors fit the roles they were casted in to a tee.
And Meyers couldn’t have chosen a better actor than Streep to play the role of Jane. After the affair has begun, Jane gets together with her girlfriends to tell them that, “turns out I’m a bit of a slut!” Her girlfriends are confused only until Streep reveals that she has now become the other woman: “I’m having an affair with Agnes Adler’s husband!” The role of Streep is central to the film’s success. She has an uncanny ability to enchant an audience and make them feel like they are going through the same things she is.
For any individual who has gone through a divorce it is natural to think about what it would be like to give it another chance with their ex. Even if you don’t have firsthand experience of divorce, one still can relate to the idea of giving it a second chance with your old flame. This film does just that: it shows you what would happen if one did decide to re-open that chapter in their life. Myers, using comedy as a spring board for this often times serious and stressful topic, artfully created a sophisticated and amusing film that pulls you in from the beginning and keeps you guessing until the end.
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